The eyes were the last thing to cool.
In 19th-century medical illustration, there was a convention called the morbid gaze — portraits of the deceased where the artist deliberately left the eyes open, painted with more detail than the living face around them. The theory was that death reveals what life concealed. The eyes, being the only wet thing left, became windows in both directions.
This piece updates that tradition for screens. The skin is rendered in cool slate tones (#8597ab), a deliberate choice that avoids the warmth of living flesh. Warmth implies circulation. Circulation implies time. The face here exists outside both. The crimson eyes are not supernatural flair — they are temperature. The last heat in a body that has otherwise gone cold.
The hair frames the face like ink dropped in still water. No hard edges. The darkness bleeds into the background because the artist understood that horror works best when boundaries dissolve. On OLED displays, the black background is not a frame — it is continuation. The figure does not end at the screen edge. He simply becomes too dark to track.
Best as: Lock screen on iPhone 16 Pro or Samsung S24 Ultra. The eyes sit at natural reading height, which means every notification you check requires passing his gaze first.
Related: Crimson Witch — same crimson palette, different covenant. Or try Crimson-Eyed Badger for a more feral take on the same stare.